Architect Magazine Ι October 2015 

The stock in trade of David Adjaye, Hon. FAIA, is to start with a material-kit-of-parts influenced by things old and hand-crafted (fabric weaving, early decorative metal works, mud-brick construction) and end with public spaces that still read as Modern. Adjaye’s first mid-career retrospective focuses on his firm Adjaye Associates‘ spate of African and developing world projects, where the opportunity to return to his native continent brings him closest to his sources of inspiration. Making Place: The Architecture of David Adjayebegins with Adjaye’s residential projects, including Roman Ridge Gardens in Accra, Ghana—a massive concrete apartment house in the style of Corbusier’s Unité d’Habitation—rendered as a pristine white model. Which is a shame, because the exhibit catalog reveals a ruddy pigmented concrete, textured with patterns of upturned triangles. Through the rest of the exhibit, models of Adjaye’s projects are transposed next to raw visual media his studio uses for reference: site snapshots, newspaper clippings, and historical diagrams.

This presentation ably discards the fiction that architects’ best ideas emerged fully-formed on napkin sketches. It also aids the presentation of the Aïshti Foundation in Beirut, a shopping center and art space. Adjaye wraps the building in a screening system of ceramic thunderbolt tiles, a full-scale mock-up of which dominates the gallery. In renderings, the massing of parallel lines resembles roughly stitched fabric; a monolithic presence wrapped in a warm blanket. On the wall, there’s more fabric: photos of “Beirut Fashion Week.”

One of Adjaye’s most recent African commissions is the Ghana National Museum on Slavery and Freedom, where he explores the same questions of inequality and cultural heritage as his Smithsonian museum. The Ghana Museum is sited next to what used to be a coastal slave-trading fortress, and draws its triangular form from the castle, subverting its hierarchical chambers of oppression into a sort of town-square-in-a-triangle. This human trading post and dozens like it first brought West Africans like Adjaye exposure to the rest of the world. That David Adjaye is being conveyed through architecture’s elite circles by considerably loftier means and has been given the opportunity to look back is the best news this exhibition has to offer. • Making Place: The Architecture of David Adjaye is on view at the Art Institute of Chicago through Jan. 3, 2016.

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