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South Side

The Design Media Needs to Examine Its Own Privilege

Common Edge Ι Nov. 20, 2018 Kate Wagner grew up in rural North Carolina. As a kid, her mom, who never went to college, worked in a grocery store deli and later in childcare. Her dad had a steady government job with a pension, and his time in the military meant he had the resources and benefits needed to get a college degree. Wagner describes her economic background as “one foot in the working class and one foot in th
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After Rahm, What Comes Next for the Obama Library?

September 25, 2018 Ι The Atlantic’s CityLab Public safety, the city’s pension load, and public schools were the major issues haunting Rahm Emanuel’s assumed re-election bid earlier this month, all of which were upended by his surprise announcement that he wouldn’t throw his hat into the ring for a third term. Given the power that the office of Chicago’s mayor has traditionally held and its history of machine-st
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Marshall Brown is Putting the Pieces Together

November 2017 Ι Architect Magazine  The studio of Marshall Brown is located on the South Side of Chicago in the Overton Hygienic Building, built in 1922. One of Chicago’s many early-20th-century brick and terra-cotta modest masterpieces, it has survived the tides of development and disinvestment that have washed over this part of the city. It was a hub for African-American businesses in one of the pre–Civil Rights er
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Photo by Lee Bey.

Architecture Beyond the A-List

October 12, 2017 Ι CityLab Away from the main exhibit of the Chicago Architecture Biennial—the country’s biggest architecture festival, on show through January—there are a half-dozen smaller “anchor” shows, hosted by neighborhood arts organizations far from downtown. These reveal a different side to Chicago’s architectural legacy, famed for the White City of 1893, Frank Lloyd Wright, and the rational Modernism of Mie
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Chicago Works: Amanda Williams at the Museum of Contemporary Art

Architectural Record Ι July 21, 2017  Color(ed) Theory, a series of photographs of abandoned houses on Chicago’s South Side painted bright colors, was one of the Chicago Architecture Biennial’s most persistent viral images. Chicago Works: Amanda Williams—its sequel of sorts—constitutes a passing of the torch. The show, which opened this week at the Museum of Contemporary Art (MCA) in Chicago, represents architect and
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