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Virgil Abloh’s MCA Exhibition Reveals the Power—and Limits—of Design Disruption

Metropolis Magazine Ι July 15, 2019 Architecture is an attractive medium for the trendsetter-turned-multidisciplinary designer and artist Virgil Abloh. Because buildings are often the face of the establishment, they are ripe targets for subversion—Abloh’s calling card. So it’s no surprise that bits of buildings are strewn throughout Figures of Speech, Abloh’s first solo museum exhibition now open at Chicago’s Museum
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New Composite Building Materials Are Redefining Modernism at Exhibit Columbus

Redshift Ι July 2, 2018  Since the advent of modernism, architects have dreamed of the perfect material to unify structure and surface. Steel beams and glass windows were the 20th century’s solution, combining the elements holding up buildings and the elements covering buildings into one tidy duo. This century, academic researchers are throwing out this dichotomy as they seek one ideal material to create the containe
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The Bauhaus in the Age of Frictionless Design

The Atlantic’s CityLab Ι March 14, 2019  The Institute of Design at Chicago’s Illinois Institute of Technology (IIT) may be the most direct offspring of the Bauhaus, which was the most influential design school in the world. Founded by former Bauhaus faculty member László Moholy-Nagy in 1937, and later absorbed into IIT (whose architecture school was then led by Mies van der Rohe, himself a former Bauhaus direc
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What Makes Us Us

Landscape Architecture Magazine Ι May 2019 Since its inception, it’s been hard to find much agreement in landscape architecture over the profession’s purpose and how it should work. For some contemporary designers, landscape architecture, in theory if a bit less in practice, is most visible when ecological systems are designed and deployed to remediate the earth, water, air, and biomes, often at an infrastructural sc
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At the Venice Biennale, Jeanne Gang Uses Memphis’s Cobblestones to Reflect on Monuments and Messy Civic Histories

Metropolis Magazine Ι May 23, 2018 “How do you make the stones talk?” asks the architect Jeanne Gang. It’s not a philosophical posture, but an earnest question and one at the center of Studio Gang’s soon-to-open 2018 Venice Architecture Biennale installation at the U.S. Pavilion. The stones Gang refers to were plucked out of storage, but they were originally lodged at Memphis Landing, also called Cobblestone Landing,
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Architectural Upcycling Builds Earth’s Better Future Out of Trash

Redshift Ι Aug. 1, 2017 Contemporary designers are recycling waste materials into useable and well-crafted objects, and it’s easy to get the impression that this burgeoning realm of fabrication is destined only for the craft fair. A quick survey of Blaine Brownell’s new guide Transmaterial Next: A Catalog of Materials That Redefine Our Future turns up a half-dozen Etsy-ready art and furniture curios. There’s jewelry
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