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Art on the Mart by Valerio Dewalt Train Associates and Obscura Digital

Nov. 7, 2018 Ι Architectural Record The silvery, room-sized box peeking out from the Chicago Riverwalk’s limestone balustrade is perhaps the least obvious and scrutinized part of this new spine of green space, which is changing how the city considers its other great waterfront. As the projection room for a video-art installation beaming images onto the gargantuan expanse of the Merchandise Mart across the river, “Its
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Inventive Design Turns a Gantry Into a Low-Cost “Vertical Village” for Creatives

Autodesk’s Redshift Ι Oct. 18. 2018 In East London, The Trampery on the Gantry is doubling down on the “creative” aspect of creative reuse. Part of the massive broadcast center used during the 2012 Olympic Games, the former HVAC gantry structure has been retrofitted by architecture firm Hawkins\Brown as an arts and media innovation hub. The gantry on the rear of the former media center (which contained studios
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After Rahm, What Comes Next for the Obama Library?

September 25, 2018 Ι The Atlantic’s CityLab Public safety, the city’s pension load, and public schools were the major issues haunting Rahm Emanuel’s assumed re-election bid earlier this month, all of which were upended by his surprise announcement that he wouldn’t throw his hat into the ring for a third term. Given the power that the office of Chicago’s mayor has traditionally held and its history of machine-st
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Incorporating Drone Imagery into Design Workflows

Architect Magazine Ι August 2018  The use of drones to survey project sites is becoming more common among builders and engineers. For architects, unmanned aerial vehicles (UAVs) offer a distinct vantage point from which they can study and document sites for research and marketing opportunities. Below, practitioners and operators discuss strategies for incorporating UAVs into design workflows. The Benefits Drones are
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Will the Culture of Good Taste Devour McDonald’s?

Metropolis Magazine Ι August 15, 2018 At a new corporate headquarters in Chicago’s West Loop neighborhood, there’s a double-height lobby filled with green walls and massive art installations. Travel to its top floor roof deck and you’ll find a cozy fire pit next to a fitness center and bar (happy hours are on Thursday). Elsewhere, stair-seating terraces face floor-to-ceiling windows with views of the Chicago skyline.
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New Views into an Unheralded Element of Mies

Architectural Record Ι June 25, 2018  A new exhibit at the Elmhurst Art Museum in Illinois explores a little-studied corner of Mies van der Rohe’s career: his brief fascination with pre-fabrication.  The show, curated by Columbia University’s Barry Bergdoll, is physically and thematically anchored by Mies’ McCormick House, which was built in 1952 as a prototype for mass-produced modular homes. Located on the museum’s
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The Brilliant Artist That Chicago, and the World, Nearly Forgot

The Atlantic’s CityLab Ι June 18, 2018  Edgar Miller was a virtuoso in any medium he chose: painting, sculpture, stained glass, architecture, interior design, printmaking, metalwork, cutlery, graphic design. He put those prodigious skills toward building a creative community on Chicago’s near-north side in the 1920s and beyond. Miller’s handful of architecture projects (a series of live-work lofts) stretched th
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Could Modular Wood Stadium Construction Be a Game Changer?

Redshift Ι June 19, 2018 Imagine a sports stadium that could expand and contract with its fan base and team’s fortunes, one that could pick up and move to greener (and more lucrative) pastures. Given team owners’ history of playing fans against each other, making stadiums more mobile isn’t likely to give pennant-wavers a sense of security, but the concept is an incredible breakthrough for building technology. Endless
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Let My Rivers Go

Landscape Architecture Magazine Ι May 2018  On May 31, 1889, the South Fork Dam east of Johnstown, Pennsylvania, gave way after a day of heavy rain. The dam had hemmed in the waters of Lake Conemaugh, a weekend retreat for western Pennsylvania’s Gilded Age industrial barons (the Carnegies, the Mellons, the Fricks). Despite their means, the dam was neglected and mistreated. Its height had been lowered to make way for
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At the Venice Biennale, Jeanne Gang Uses Memphis’s Cobblestones to Reflect on Monuments and Messy Civic Histories

Metropolis Magazine Ι May 23, 2018 “How do you make the stones talk?” asks the architect Jeanne Gang. It’s not a philosophical posture, but an earnest question and one at the center of Studio Gang’s soon-to-open 2018 Venice Architecture Biennale installation at the U.S. Pavilion. The stones Gang refers to were plucked out of storage, but they were originally lodged at Memphis Landing, also called Cobblestone Landing,
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