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Theaster Gates
Date: 25 Jun 2018
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Tags: Alfonso Iannelli, Animals, architect, Architecture, Art, Art Institute of Chicago, Art on Sedgwick, artist, artist loft, Carl St. Studios, Charlie Brenda, Chicago, Children, CityLab, Counterculture, cutlery, Edgar Miller Legacy, gentrification, Glasner Studio, graphic design, Idaho, interior design, Kogen-Miller Complex, live-work, medium, metalwork, North Side, Old Town, painting, Paris, printmaking, Radical Politics, sculpture, Sharon Bladholm, Sol Kogen, stained glass, The Atlantic, Theaster Gates, Tower Town, Zac Bleicher, Zach Mortice
The Brilliant Artist That Chicago, and the World, Nearly Forgot
The Atlantic’s CityLab Ι June 18, 2018 Edgar Miller was a virtuoso in any medium he chose: painting, sculpture, stained glass, architecture, interior design, printmaking, metalwork, cutlery, graphic design. He put those prodigious skills toward building a creative community on Chicago’s near-north side in the 1920s and beyond. Miller’s handful of architecture projects (a series of live-work lofts) stretched th
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Date: 23 Aug 2017
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Chicago Works: Amanda Williams at the Museum of Contemporary Art
Architectural Record Ι July 21, 2017 Color(ed) Theory, a series of photographs of abandoned houses on Chicago’s South Side painted bright colors, was one of the Chicago Architecture Biennial’s most persistent viral images. Chicago Works: Amanda Williams—its sequel of sorts—constitutes a passing of the torch. The show, which opened this week at the Museum of Contemporary Art (MCA) in Chicago, represents architect and
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