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Slavery

At the Venice Biennale, Jeanne Gang Uses Memphis’s Cobblestones to Reflect on Monuments and Messy Civic Histories

Metropolis Magazine Ι May 23, 2018 “How do you make the stones talk?” asks the architect Jeanne Gang. It’s not a philosophical posture, but an earnest question and one at the center of Studio Gang’s soon-to-open 2018 Venice Architecture Biennale installation at the U.S. Pavilion. The stones Gang refers to were plucked out of storage, but they were originally lodged at Memphis Landing, also called Cobblestone Landing,
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Perpetual Neglect: The Preservation Crisis of African-American Cemeteries

Places Journal Ι May 30, 2017 In late February, Raphael Morris pulled his car onto the gravel path just off St. Louis Avenue in northern St. Louis County, and saw something he’d hoped was a thing of the past: a large pile of garbage dumped in Greenwood Cemetery, near where he grew up and where several family members are buried. Morris is president of the Greenwood Cemetery Preservation Association and has been workin
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