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Jeanne Gang

At the Venice Biennale, Jeanne Gang Uses Memphis’s Cobblestones to Reflect on Monuments and Messy Civic Histories

Metropolis Magazine Ι May 23, 2018 “How do you make the stones talk?” asks the architect Jeanne Gang. It’s not a philosophical posture, but an earnest question and one at the center of Studio Gang’s soon-to-open 2018 Venice Architecture Biennale installation at the U.S. Pavilion. The stones Gang refers to were plucked out of storage, but they were originally lodged at Memphis Landing, also called Cobblestone Landing,
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Metropolis Ι October 2016 As a building type, the high-rise embodies both technical sophistication and something of the architect’s own ego. Yet few architects make their name as creators of consistently good ones; Mies van der Rohe may have been the last. Jeanne Gang, another adoptive Chicagoan, promises to pick up where he left off. For a noncorporate, non-megafirm, her namesake 87-person Studio Gang has the unique
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