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Architecture

At Washington University, A Cluster of New Buildings Enlivens a Neglected Part of Campus

Metropolis Magazine Ι Oct. 18, 2019 A middle-American Oxbridge, the campus of Washington University in St. Louis is staunchly Collegiate Gothic, all nested quads and pink granite buildings. It’s often hard to tell where one building ends and another begins. But traverse the campus to its far eastern edge and this monotony starts to let up: Cloistered space grows porous, and the chisel-and-hammer articulation of stone
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Design for all requires a culture change in architecture

The American Institute of Architects Ι Oct. 14, 2019  In 1978, John Catlin, who’d been a wheelchair user for four years after a spinal injury, began graduate school in architecture at the University of Illinois at Chicago (UIC). In 1973, federal legislation was passed that prohibited discrimination against people with disabilities, including facilities designed, built, altered, or leased with federal funds. The UIC A
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An Activist Architecture Stirs in Chicago

The Atlantic’s CityLab Ι Oct. 9. 2019 Perhaps the most compelling installation in this year’s Chicago Architecture Biennial doesn’t feature a single architectural model, rendering, or image of buildings (or of anything else). It’s a series of short blocks of text, probing the Chicago police’s killing of Harith Augustus on the city’s South Side in July of last year. The text, white and hung in a matte black gall
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How a Gehry building came back ready for the spotlight

The American Institute of Architects Ι Aug. 21, 2019  In the pantheon of Frank Gehry buildings, his American Center in Paris, completed in 1994, was a decidedly transitional artifact. Gehry was rebuffed from using steel on the building by planners with context-attuned designs for its newly redeveloped district on the banks of the Seine, so instead it’s made of stately masonry. American Center’s rectilinear offices an
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Virgil Abloh’s MCA Exhibition Reveals the Power—and Limits—of Design Disruption

Metropolis Magazine Ι July 15, 2019 Architecture is an attractive medium for the trendsetter-turned-multidisciplinary designer and artist Virgil Abloh. Because buildings are often the face of the establishment, they are ripe targets for subversion—Abloh’s calling card. So it’s no surprise that bits of buildings are strewn throughout Figures of Speech, Abloh’s first solo museum exhibition now open at Chicago’s Museum
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Proposals for New Building at UIC Contend with Walter Netsch’s Brutalist Campus

Architectural Record Ι April 8, 2019  Last week, the University of Illinois at Chicago (UIC) unveiled three short-listed proposals for a performing arts center. Two of the finalist designs, by OMA and Johnston Marklee, take strong cues from Walter Netsch’s arch-Brutalist UIC campus—one of Chicago’s least understood bits of architectural history. The third, by Thom Mayne’s Morphosis, staunchly stands apart from Netsch
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Sunlight and Landscape Views Shape Studio Gang’s Latest Chicago Tower

Metropolis Magazine Ι April 16, 2019 Solstice on the Park, the new Studio Gang–designed rental apartment tower in Chicago’s Hyde Park neighborhood, doesn’t want for inspiration. The building is within spitting distance of Lake Michigan and Frederick Law Olmsted’s Jackson Park, where the Obama Presidential Center may soon rise (pending the outcome of a lawsuit). The interior decor goes out of its way to accentuate the
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Obama Presidential Center Lawsuit Will Proceed, Slowing Progress of Construction

Architectural Record Ι February 20, 2019  A federal judge’s decision yesterday to allow a lawsuit against the City of Chicago and the Chicago Parks District to proceed will delay the progress of the Obama Presidential Center (OPC), which has been designed by Tod Williams Billie Tsien Architects and landscape architects Michael Van Valkenburg Associates.  Controversially sited on public land—Frederick Law Olmsted’s Ja
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Can Artist Theaster Gates Help Bridge a Town-Gown Divide?

The Atlantic’s CityLab Ι April 5, 2019  The newly renovated Keller Center, home to the University of Chicago’s Harris School of Public Policy on Chicago’s South Side, is crafted from a 1963 building designed by the architect of New York’s Radio City Music Hall and D.C.’s Kennedy Center, Edward Durell Stone. On the outside is a colonnade of delicate columns etched with a hexagonal motif. Stone’s original interio
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‘The Whole World a Bauhaus’ Reveals a Movement’s Fault Lines

The Atlantic’s CityLab Ι March 13, 2019 The centenary exhibition “The Whole World a Bauhaus” is touring the globe, and is now making its only U.S. stop, through April 20, at the Elmhurst Art Museum in the western suburbs of Chicago. (The Elmhurst has earned its stripes, boasting a house on its campus designed by a Bauhaus director, Mies van der Rohe.) More than 400 objects, mostly photographs, are crammed into
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